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Asian Ethnology
[formerly Asian Folklore Studies]
Number 69, Volume2, 2010
Ethnographic Perspectives on Differentiating Shamans
from other Ritual Intercessors. [213-240]
Sidky, H.
Narrative, Genre, and Contextuality:
The “Nüshu”-Transcribed Liang-Zhu Ballad in Rural
South China. [241-264]
Liu, Fei-wen
Sacred Dance at Sensōji: The
Development of a Tradition. [265-292]
Groemer, Gerald
The Social Contract and Symbolic
Structure in Three Vietnamese Tales of the “Last
Born” [293-310]
Tran, Quynh Ngoc Bui
“Slit Belly Swamp”: A Japanese Myth
of the Origin of the Pleiades? [311-331]
Palmer, Edwina
Research Note: Philippine Sungka and
Cultural Contact in Southeast Asia. [333-342]
De Voogt, Alex
Review of: Tomoko Aoyama, “Reading
Food in Modern Japanese Literature”. [343-345]
Cwiertka, Katarzyna J.
Review of: Satsuki Kawano, “Nature’s
Embrace: Japan’s Aging Urbanites and New Death
Rites”. [345-347]
Mock, John
Review of: Christian Gohlert, “Die
Verehrung von Wasserleichen und ihre Stellung im
japanischen Volksglauben”. [348-349]
Riessland, Andreas
Review of: Jean-Marc Abela and Mark
Patrick McGuire/Sandra Roth and Carina Roth,
“Shugendō Now”/”Where mountains fly”. [350-352]
Rill, Bryan
Review of: Grace M. Cho, “Haunting
the Korean Diaspora: Shame, Secrecy, and the
Forgotten War”. [352-354]
Soh, Chunghee Sarah
Review of: Laurel Kendall, “Shamans,
Nostalgias, and the IMF: South Korean Popular
Religion in Motion”. [354-356]
Walraven, Boudewijn
Review of: Snying bo rgyal and R.
Solomon Rino, “Deity Men: Reb Gong Tibetan Trance
Mediums in Transition”. [350-358]
Bender, Mark
Review of: Ashild Kolas and Monika P.
Thowsen, “On the Margins of Tibet: Cultural Survival
on the Sino-Tibetan Frontier”. [358-360]
Tan, Gillian G.
Review of: Stephen Jones, “Ritual and
Music of North China: Shawm Bands in Shanxi” /
“Ritual and Music of North China, Volume 2: Shaanbei”.
[360-363]
Du, Yaxiong
Review of: Margaret B. Wan, “Green
Peony and the Rise of the Chinese Martial Arts
Novel”. [363-365]
McLaren, Anne E.
Review of: Grégory Delaplace,
“L’invention des morts. Sepultures, fantômes et
photographies en Mongolie contemporaine”. [365-370]
Munsi, Roger Vanzila
Review of: Olga Dror, “Cult, Culture,
and Authority: Princess Lieu Hanh in Vietnamese
History”. [370-372]
Fjelstad, Karen
Review of: Michael Hitchcock, Victor
T. King, and Michael Parnwell, eds., “Tourism in
Southeast Asia: Challenges and New Directions”.
[373-374]
White, Merry
Review of: Anna Morcom, “Hindi Film
Songs and the Cinema”. [374-376]
Hoek, Lotte
Review of: James Kippen, Gurudev’s
“Drumming Legacy: Music, Theory and Nationalism in
the Mrdang aur Tabla Vadanpaddhati of Gurudev
Patwardhan”. [377-379]
Wolf, Richard
Asian Ethnology [formerly Asian Folklore Studies]
Number 69, Volume 1, 2010
“The Woman Waylaid at the Well” or “Paṇaghaṭa-līlā”:
An Indian Folk Theme Appropriated in Myth and
Movies. [1–33]
Pauwels, Heidi
Vengeful Spirits or Loving Spiritual
Companions? Changing Views of Animal Spirits in
Contemporary Japan. [35–67]
Ambros, Barbar
Performing Paradigms of Modern Rajput
Masculinities: Men’s Songs to Rao Gopal Singh of
Kharwa. [69–93]
Belli, Melia
Healing and Exorcism: Christian
Encounters with Shamanism in Early Modern Korea.
[95–128]
Oak, Sung-Deuk
Chaste Widows, Cunning Wives, and
Amazonian Warriors: Imaging of Women in Tamil Oral
Traditions. [129–157]
Ramaswamy, Vijaya
Review Essay: A Discussion on
Nagasawa Sōhei's “Hayachine take kagura: Mai no
shōchō to shakaiteki jissen”. [159–169]
Lancashire, Terence
Review of: Jürgen Wasim Frembgen,
“Journey to God: Sufis and Dervishes in Islam”.
[171–173]
Akasoy, Anna
Review of: Anthony R. Walker, ed.
“Pika-Pika: The Flashing Firefly: Essays for Pauline
Walker by her Friends in the Arts and Social
Sciences”. [174–175]
Bender, Mark
Review of: Michael Dylan Foster.
“Pandemonium and Parade: Japanese Monsters and the
Culture of Yōkai”. [176–180]
Kimbrough, Keller R.
Review of: Mariko Asano Tamanoi,
“Memory Maps: The State and Manchuria in Postwar
Japan”. [180–182]
DuBois, David Thomas
Review of: Wilburn Hansen, “When
Tengu Talk: Hirata Atsutane’s Ethnography of the
Other World”. [182–185]
Foster, Michael Dylan
Review of: Carolyn S. Stevens,
“Japanese Popular Music: Culture, Authenticity, and
Power”. [185–188]
White, Bruce
Review of: Mark W. MacWilliams,
ed.,”Japanese Visual Culture: Explorations in the
World of Manga and Anime”. [188–190]
Thomas, Jolyon Baraka
Review of: Yang Erzeng, “The Story of
Han Xiangzi: The Alchemical Adventures of a Daoist
Immortal”. [191–193]
Campbell, Duncan M.
Review of: Barley Norton: “Songs for
the Spirits: Music and Mediums in Modern Vietnam”.
[194–198]
Jähnichen, Gisa
Review of:Robert W. Hefner, “Making
Modern Muslims: The Politics of Islamic Education in
Southeast Asia”. [198–201]
Zulfikar, Teuku
Review of: Robert Knox Dentan,
“Overwhelming Terror: Love, Fear, Peace, and
Violence among the Semai of Malaysia”. [202–204]
Fry, Douglas P.
Review of: Gabriele Alex, “Learning
and Embodying Caste, Class and Gender: Patterns of
Childhood in Rural Tamil Nadu”. [204–207]
Davis, Coralynn V.
Review of: Leland Liu Rogers, “The
Golden Summary of Činggis Qačan: Činggis Qayan-u
Altan Tobči”. [208–209]
Rossabi, Morris |
