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Japanese Journal of Religious Studies, Number 42,
Volume 2, 2015
Christian Wedding Ceremonies: “Nonreligiousness” in
Contemporary Japan [185–203]
LeFebvre, Jesse R.
Sacred Forests, Sacred Nation: The Shinto
Environmentalist Paradigm and the Rediscovery of
“Chinju no Mori” [205–233]
Rots, Aike P.
Nichirenism, Utopianism, and Modernity: Rethinking
Ishiwara Kanji’s East Asia League Movement [235–274]
Godart, G. Clinton
“To Tread on High Clouds”: Dreams of Eternal Youth
in Early Japan [275–317]
Drott, Edward R.
The Inexhaustible Lamp of Faith: Faith and Awakening
in the Japanese Rinzai Tradition [319–338]
Joskovich, Erez Hekigan
From Deer Bones to Turtle Shells: The State
Ritualization of Pyro-Plastromancy during the Nara-Heian
Transition [339–380]
Kory, Stephan N.
Review of: William E. Deal and Brian Ruppert, “A
Cultural History of Japanese Buddhism” [381–385]
Green, Ronald S.
Review of: Heather Blair, “Real and Imagined: The
Peak of Gold in Heian Japan” [385–391]
Thumas, Jonathan E.
Review of: Sébastien Penmellen Boret, “Japanese Tree
Burial: Ecology, Kinship and the Culture of Death”
[392–395]
Rots, Aike P.
Review of: Robert Magliola, “Facing Up to Real
Doctrinal Difference: How Some Thought-Motifs from
Derrida can Nourish the Catholic-Buddhist Encounter”
[395–398]
O’Leary, Joseph S.
Japanese Journal of Religious Studies, Number 42,
Volume 1, 2015
Editors’ Introduction:
“Engi”:
Forging Accounts of Sacred Origins [1-26]
Blair, Heather, and Kawasaki Tsuyoshi
Revisiting the Dragon Princess: Her Role in Medieval
“Engi” Stories and Their Implications in Reading the
“Lotus Sutra” [27-70]
Abé, Ryūichi
The Buddha and the Bathwater: Defilement and
Enlightenment in the “Onsenji engi” [71-87]
Moerman, D. Max
Memories and Strategic Silence in “Jōdoji engi”
[109-131]
Goodwin, Janet R., and Kevin Wilson
The Invention and Reception of the “Mino’odera engi”
[133-155]
Kawasaki, Tsuyoshi
The Reproduction of Engi and Memorial Offerings:
Multiple Generations of the Ashikaga Shoguns and the
“Yūzū nenbutsu engi emaki” [157-182]
Takagishi, Akira |
