New Zealand Journal of Asian Studies, Volume 12 No. 1, June 2010

Articles

The Absence of Gender in May Fourth Narratives of Woman’s Emancipation: A Case Study on Hu Shi’s "The Greatest Event in Life"
YANG LIANFEN 6

Traversing the Sublime: The Metamorphosis of the Female Body in Lu Xun’s "Regrets for the Past"
PING ZHU 14

On the Front: Women Confronting War
LIU LU 29

Desires, Bodily Rhetoric and Melodramatic Imagination: Women in the Making of Revolutionary Myth in Three Chinese Films of the Seventeen Years
LI LI 46

Revolutionary Aestheticism and Excess: Transformation of the Idealized Female Body in "The Red Lantern" on Stage and Screen
ZHANG LING 67

Gender Psychology in The Women of "The Red Lantern" in its Evolution from Model Opera to Soap Opera
ROSEMARY ROBERTS 93